| writing | |||
|---|---|---|---|
| title | published | date | tags |
| After Interregnum, Indra's Net | Ljudmila | 2024 | AGI, computational creativity, posthumanism, simulation |
| Vague Memories of Heliogabalus | flat journal | 2023 | nuclear testing, French Polynesia, Marshall Islands, gaming, simulation, colonialism |
| The Work of Art in the Age of Cybernetic Criticism | &&& | 2022 | posthumanism, AGI, Walter Benjamin, criticism |
| Of Bartleby and Blockchain: Digital Scriveners in the Age of Cryptocurrencies | &&& | 2022 | posthumanism, AGI, markets, cryptocurrency |
| Bartleby's Gale: Upon the Simulation Argument | shifter | 2021 | simulation, posthumanism, colonialism, existential risk, AGI, Walter Benjamin, Fermi Paradox, Stanislaw Lem |
| Some Thoughts on the Epic Games and Unreal Engine | twitter_thread | 2020 | simulation, gaming, Unreal Engine, Epic, metaverse |
| The Game Engine as Transhumanist Sandbox | flat journal | 2020 | AGI, immortality, transhumanism, posthumanism, simulation, gaming, Unreal Engine, Epic, panopticon, whole brain emulation, J.G. Ballard, metaverse |
| e-flux Reader Compilations: Apocalypse | e-flux | 2020 | eschatology, Gunter Anders, Sven Lutticken, Elisabeth Polvinelli, Donna Haraway, Chthulucene, Capitalocene, Jennifer Gabrys, Kathryn Yusoff, Tom Holert, Matteo Pasquinelli, Irmgard Emmelhainz, algorithm, apocalypse, colonialism |
| Before Eschaton Lies the Wor(l)d | manuscript | 2020 | nuclear testing, French Polynesia, Marshall Islands, gaming, simulation, colonialism |
| Silenus’ Cup, Drained by AI: A Review of The Dead Walk into a Bar | PS | 2019 | AGI, resurrection, immortality, Russian Cosmism, Anton Vidokle, New Red Order, criticism, museum, curator, e-flux, transhumanism, posthumanism |
| Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine | MOMUS | 2019 | AI, criticism, museum, Umwelt, spectacle, Serpentine Gallery, Pierre Huyghe |
| e-flux ‘Art After Culture’ | unpublished | 2019 | AI, symposium, museum, e-flux, Otolith Group, Reza Negarestani, Boris Groys, Charles Mudede, Mary Walling Blackburn, Irmgard Emmelhainz, 'Bifo' Berradi, Liam Gillick, Hito Steyerl |
| Do Androids Dream of Representative Art? | MOMUS | 2017 | AI, AGI, criticism, Metro Pictures, Trevor Paglen, Harry Dodge, ethics, bias |
| With Usura: From Reliquary to the Culture Industry | unpublished | 2017 | criticism, reliquary, Jerusalem, Alexander Nagel, Robert Smithson, money |
| Looking back at Brexit with Wolfgang Tillmans | AQNB | 2016 | Brexit, EU, Wolfgang Tillmans, criticism, bubble, Maureen Paley |
| Hieronymus Bosch: At the Border of Disorder | unpublished | 2016 | Hieronymus Bosch, Carl Schmitt, Giorgio Agamben, Alexander Kojeve, patronage, katechon, EU, Joseph Koerner |
| From Bearer Bonds to the Blockchain: Artistic Perspectives on Digital Money | furtherfield | 2016 | cryptocurrencies, blockchain, Furtherfield, money, bubble |
| Neoliberal Lulz at Carroll / Fletcher | unpublished | 2016 | shell companies, tax avoidance, money, criticism |